New Paper Options for Black and White

Superior Seamless offers two additional options for paper backgrounds. Ultra Black is 20% deeper and slightly warmer black than Jet Black. This will definitely help anyone working with low-key in a smaller studio. The Eco Bright White is the same brilliance as Arctic White but is made from 30% post-consumer waste, making it Green Certified. Tallyn's carries a very large selection of Seamless paper rolls and backgrounds.

New Canon Tilt/Shift Lenses

Once more Canon uses innovation to expand and update their line of Tilt/Shift lenses. Canon's announcement of two new lenses today includes an updated TS-E 24mm F/3.5L II and a brand new TS-E 17mm F/4L. Both lenses, available in May, have the ability to correct for and change perspective as well as change the axis of the focal plane. Each lens also incorporates a new type of anti-reflection coating, Canon's SubWavelength structure Coating (SWC) that helps minimize flare and ghosting caused by bright light from large angles of incidence.

These lenses are available for pre-order by calling Tallyn's at 1-800-433-8685.

Pocketwizard Wows Us Once More

Pocketwizard has just announced the ControlTL System a new set of radio TTL devices that go far beyond any other wireless system available. With the ability to trigger Nikon and Flashes with TTL controls or any studio flash at FP/High Speed Sync. Yes, that means firing almost any flash at a sync speed over 1/500 up to 1/8000 of a second via radio up to 1200 ft away. Visit Tallyn's website to find out the many more features jam packed into the new compact MiniTT1 transmitter and FlexTT5 transceiver.

The Canon versions of the MiniTT1 ($199) and FlexTT5 ($219) will be available shortly and can be ordered by calling Tallyn's at 1-800-433-8685.

Lexar Rebate Update

Here are the current Mail-in Rebate offerings from Lexar on 233x, 300x UDMA Compact Flash Cards, 133x Secure Digital Cards and two of their most popular card readers:

Buy Memory Cards
Download CF 233x Rebate Form
4GB 233x Compact Flash - $10 Back
8GB 233x Compact Flash - $10 Back
Download CF 300x Rebate Form
2GB 300x Compact Flash - $20 Back
4GB 300x Compact Flash - $30 Back
8GB 300x Compact Flash - $60 Back
16GB 300x Compact Flash - $60 Back
Download SD Rebate Form
2GB 133x Secure Digital - $10 Back
4GB 133x Secure Digital - $10 Back
8GB 133x Secure Digital - $25 Back

Buy Card Readers
Download Card Reader Rebate Form
Pro CF Reader FW800 (RW034-001) - $20 Back
Pro CF Reader UDMA USB (RW035-001) - $10 Back

These rebates are available until March 1, 2009.

Tech Tips Videos - PocketWizard Edition

With PocketWizard's combined price drop and rebate program, here once again are Tallyn's Tech Tips videos detailing the PocketWizard Plus II Transciever and the Hildozine Transciever Caddy:

Introduction to Wireless Triggering withPocketwizard Plus II Transcievers

Introduction to

Hildozine Transciever Caddy:

Custom Brackets Gimbal Up-Close

Custom Brackets is the leading manufacturer of specialized camera support systems. Mainly designing and providing hand held bracket systems for mounting compact strobes, they recently have expanded their line to include a new gimbal system for large telephotos.



Although the CB Gimbal is ideal for long lenses with their own tripod mounts (such as 200mm, 300mm or 400mm telephotos), the gimbal has applications in the studio with the addition of the Custom Brackets Studio Rotating Bracket which easily adds camera rotation to the setup.

One of the most worthwhile advantages of the CB Gimbal is how it effectively and safely distributes weight, preventing sudden and violent weight shifts that can occur with other camera supports when knobs are loosened for adjustment.

The knobs on the CB Gimbal are doubled up to provide independent controls for adjusting the resistance and for locking in place both the pan and tilt axes. They can easily support the weight of a full size DSLR body and lens at practically any angle. The knobs are well designed and easily accessed with the left hand while your right holds the camera. They are also captive knobs - they cannot be loosened far enough to come off the gimbal (A plus for anyone who has lost adjustment knobs for anything in their studio).

The CB Gimbal is modular, allowing it to be packed away using far less space than what it occupies fully assembled. Custom Brackets also promotes the roller bearings as completely maintenence free, never requiring any additional lubrication. Added features also include a bubble level for on-axis mounting and panning as well as degree markings, useful for shooting panoramic compositions.

Although the CB Gimbal was originally designed for use on a Camera Stand such as the Studio Titan Pro 4 Stand, here at Tallyn's we have found a new application as part of the Bogen studio rail system. A setup such as this helps keep your studio floor clear and gives you the versatility to shoot from anywhere in your studio at any angle with the camera fully supported. This setup provides the added advantage of allowing you to shoot parallel to the floor.


The Custom Brackets Gimbal, as well as the rest of the Custom Brackets line of handheld brackets and bracket accessories is available now from Tallyns.com. If you have any questions, or would like assistance we are available by phone during our normal business hours at (800)433-8685.

Links: Custom Brackets Gimbal on Tallyns.com / Custom Brackets line on Tallyns.com / Tallyn's Tech Tips on Tallyns.com / Tallyn's You Tube Videos

Camera Shooting Platforms

We have published a new article to our Tech Tips section of our website about full camera stands and their advantages over using a tripod in the studio:

When thinking about camera support systems, many of us might not think far beyond a tripod. And while tripods definitely have their place in the photographer's arsenal, they're designed more for portability and location work, not the studio floor. Try to adjust the height of your camera from six feet down to six inches quickly or try to roll it smoothly along your studio floor - It's just not going to happen.

Introduce a permanent camera stand into your studio and you'll soon realize how sturdy and versatile a platform you can have. You'll gain the freedom to move and position your camera without hassle. You'll project a serious, highly prepared and well equipped image to those in your studio. Combine a camera stand with a wireless triggering system and you can eliminate the camera as a barrier between you and your subject, easing conversation and building rapport.

We have put together a few options that could add a whole new level of flexibility to your studio:

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One setup we use in our studio features the popular Studio Titan Side Kick Stand. With a simple Bogen/Manfrotto adaptor plate (028) you can connect any Bogen/Manfrotto tripod head and have a quick, efficient camera platform.

Pros:

- Quick height adjustment from one foot up to eight feet by way of trigger grip arm.

- A full range of positions are available with Bogen/Manfrotto tripod heads.

- Lightweight for ease of movement across studio floor.

- Inexpensive and cost effective. Can be set up for under $400.

Cons:

- Most Bogen/Manfrotto tripod heads do not maintain the lens center line when adjusted from landscape to portrait orientation. This may require repositioning the camera stand to restore similar framing. This problem is solved with our second example below.

- Most Bogen/Manfrotto tripod heads place the weight of the camera directly above the adjustment fulcrum, creating the opportunity for dramatic if not dangerous weight shifts when knobs are loosened for adjustment. This problem is also solved with our second example below.

- Studio Titan Side Kick Stands may not have enough weight in the base to support a full size DSLR body and a full-featured tripod head when positioned towards the top of the stand.

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Our best setup in our showroom/studio here at Tallyn's consists of the Studio Titan Pro 4 Camera Stand, Custom Brackets' Gimbal & Custom Brackets' Digital Format Studio Bracket (with plates for quick releases).

Pros:

- Quick height adjustment from one foot up to seven feet by way of adjustable cross arm.

- Full range of position available with Custom Brackets Gimbal Head.

- The Custom Brackets Digital Format Studio Bracket maintains the lens center line when adjusted from landscape to portrait orientation.

- There is far less chance of dramatic if not dangerous weight shifts when knobs are loosened for adjustment because of how the Custom Brackets Gimbal is designed (with the fulcrum above the camera body).

- The Studio Titan Pro 4 Camera Stand has the weight and stability to support a full size camera with the Custom Brackets Gimbal and Studio Bracket combination at it's maximum height.

Cons:

- This system is not easily transported out of the studio or from one location to another.

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Finally, we have adapted the use of the Custom Brackets Gimbal & Studio Bracket setup for our Studio Rail Systems. Obviously, this isn't an option if you don't have a rail system, but for studios already trying to eliminate the floor clutter of stands and cables, this setup is a natural extension of that idea.

Pros:

- Quick height adjustment within the range of rail system panograph.

- Full range of position available with Custom Brackets Gimbal Head, including strait down (with the film plane parallel to the floor).

- The Custom Brackets Digital Format Studio Bracket maintains the lens center line when adjusted from landscape to portrait orientation.

- Because of how the Custom Brackets Gimbal is designed (with the fulcrum above the camera body) there is far less chance of dramatic if not dangerous weight shifts when knobs are loosened for adjustment.

Cons:

- This system requires a studio rail system for installation.

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Links: Tallyn's Custom Camera Stand Kits on Tallyns.com / Tallyn's Tech Tips Articles